Interview with DIEGO TERROS
q)Walk us through an
intimate day in your life
a)Currently balancing
four different jobs in NYC. I tend to have a quiet demeanor, constantly
daydreaming about music, travel, and breaking free.
q) Where did you grow
up/where do you live now and how does that contribute to your art?
a)I was born in Tarrytown , NY to
Colombian parents and was raised in Bogota ,
Colombia . I
spent my teenage years in Florida .
Came to NYC for art school and been here ever since. The urban and foggy
mountainous landscape of my childhood has had a tremendous influence in the
mood of my work. Having been lucky to travel the world at an early age has
expanded my imagination and made me long for no boundaries, while thinking
about layers and remnants.
q) What is your earliest
memory that propelled you to create?
a)Early on in
kindergarten, the idea of collage was presented to me, and I continued on
making parodic collages for my classmates even after the lesson was over.
Coming from a family of artists, where my mother and sister used ceramic,
gesso, papier mache, and painting, I was naturally exposed to mixed media
practices.
q) Tell us a little bit
about your creative process.
a)My process starts with
a preoccupation in my head. After amassing images and symbols, I work with them
to manifest and convey that feeling or idea.
q) How do you wish for
your art to be perceived?
a)I cannot conceive for
viewers to have a systematic response. Mood and allegorical theme coming
across, however, is what perhaps matters to me the most.
q) What do your internal
dialogues sound like?
a)There isn’t a language
for it; it is purely abstract and symbolic.
q) Do you feel that there
are limitations to what you want to create?
a)Yes, this city of
possibilities can be very limiting when it comes to affordable space,
especially for someone who is ambitious and collects a lot of material.
q) Do you feel art is
vital to survival and if so, why?
a)Of course, art is a
mission and a journey for some, it has the power of healing and enlightening
and entertaining; it occurs in all our senses, in the mind and in ritual, so
yes, it’s absolutely essential.
q) Describe a world
without art.
a)Bleak. Robotic.
q) Tell us a secret, and
obsession.
a)My pieces are little
chapters, secrets, and obsessions.
q) Where can people see more of
your work on the internet?
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